[This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of this kind of thing]
“The blues are beautiful because it’s simpler and because it’s real. It’s not perverted or thought about: It’s not a concept, it is a chair; not a design for a chair but the first chair. The chair is for sitting on, not for looking at or being appreciated. You sit on that music.” (John Lennon to Jann Wenner, 21 January 1971)
When Jack Hutton quit Melody Maker in 1970, to set up what became Sounds, he told Richard Williams, who stayed behind, that it would be a “left-wing Melody Maker”. Hutton’s no longer with us, so I suppose if I get the chance I’ll have to ask Williams one day what exactly was meant by “left-wing” here. My guess — based on what Sounds actually turned out like — is that Hutton meant the new paper would be centred on rock. Even though both papers covered rock and pop and everything else, MM’s moral centre was arguably still jazz at that point. Even though the jazz fan-base always had a left-wing in the UK, with old-school communists solid among its supporters and chroniclers, it was a music (or so many seemed to feel) whose time was past. Rock was new and rock was now, the very voice of youth — but beyond this, rock had had, for a while by then, a tangled relationship with politics, radical left politics in particular. Continue reading “no longer a debate?
lennon’s REVOLUTIONS 50 years on”