“It was the devious-cruising Rachel, that in her retracing search after her missing children, only found another orphan.”
Quite apart from anything else, the past — even the very recent past, maybe especially the very recent present — is a mass of detail that’s hard to take in and process (not least because you have to push away the immediate present to do so). My conference produced a little over 12 hours of conversation in one large (often quite hot, by the end quite airless) room, and the discussion has continued elsewhere, in nearby pubs or bars after the two days of debates; also here at ilm, here at Freaky Trigger, and here and here on tumblr. Resonance 104.4FM broadcast it nearly in full on 25 May and have put the eight extracts up on their mixcloud site here (I don’t know how long for). Continue reading “whalers on the moon: curious despatches from an old dream”
Robin Carmody messaged me on FB to say he’d just been reading my le carré rereads on ilx, and enjoyed and agreed with them. Since one of my projects here is I guess to begin to centralise my boringly dispersed and rhizomatic self, I thought I’d link them here. This is the original, inset in a longer ilx thread: liveblogging Tinker Tailor Soldier Spy. This is the same excerpted at FT (i.e. all the rest of the entertaining ilx chatter cut away). This was intended as a liveblog of a reread of Smiley’s People, except things ran away with themselves and I ended up just posting some thoughts (on an ilx thread no one else ever contributed to).
Notes on Adam Ant (the “paper” I gave at EMP in Seattle this year) and the Spice Wars (feat.Russ Meyer and Buffy and the Powerpuff girls and early ilx); a long note on Lady Di and the old weird England in the Popular thread on Elton John and Candle in the Wind ’97 — and the beginnings of a response to the various questions Frank Kogan asked in comments on the Oasis post, a response which is VERY LONG (9000+ words) and RUMINATIVE and SEMI-THOUGHT-THROUGH, and covers Burke, Keats, Wallace Stevens, the internalised bureaucracies of the institutionalised intellect (and where music fits into them); and what we mean by the words “thinking” and “clarity”.