All the talking heads in the Peter Green documentary were male heads, I believe; and — for all they’ve achieved a kind of artless wondering openness towards the discussion of what must have been very tricky passages of their long-ago past — none seemed especially wise heads. Green himself, hearteningly enough, has emerged as a cheerfully plump balding hobbit of a man, a long long way from the ethereal and curly-headed yearning elf-poet of yore: he has — for someone who’s been through the extended labyrinthine haze of mental breakdown, medication and ECT and long stays on wards — a strikingly exact memory of moments, artistic or chemical or inspirational, on the cusp of his breakdown. He’s vague enough about what he wanted, what drove him — a thing that wasn’t yet there, in his music and his playing — but he’s funny and practical about everything else. Continue reading →